Sculptures of the artist. By himself. Made from his own body. Marc Quinn creates self-portraits with his blood. Every five years he makes a fresh one. Keeping track of his aging throughout the years. The process can appear gory and frightening but it is as close to reality as a portrait can be.
He repeats the operation by making a plaster mold of his face and by going to the doctor to get his blood drawn. The equivalent of a pint is drawn every week (not at once). The blood is injected into the molded face and preserved in a frozen environment. It could not sustain another way.
The first realization that blood is actually sitting in front of us can be disgusting and intolerable. It’s really the process that is intimidating. Once it’s understood then the concept behind this idea can be perceived, analyzed and accepted.
Marc Quinn’s intention is not only to make an organic piece but to keep it alive. By manipulating the scientific world to obtain what he wants he opens a new angle. He is redefining the limits in terms of means of expression. Ice and blood in that case coming from the same person making his auto-portrait dematerialize the notion of infinity. There’s also a melancholic feeling. When an artist depicts a self-portrait, the tone is usually neutral or positive. Considering that Marc Quinn chooses to represent himself as a volume of blood interrogates on what are the real motivations behind such a work and the artist’s inner self-regard. (via Ignant)
This article was published on Beautiful Decay on September 17th 2015.